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Apogee Electronics Trak2
The Trak2 combines preamplification with conversion. William Bowden pieces this
review together.
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pogee Electronics has been in the analogue to
digital conversion business a long time. While they
have branched out over the years into various areas
such as cabling and media, conversion has always been
their primary focus. They now have quite a range of con-
verters available comprising the budget two-channel
Rosettas, the two-channel PSX-100, the eight-channel
AD-8000, the 16-channel IntelliDAC and now the Trak2.
‘Where does the Trak2 sit in this veritable pantheon of
products?’, I hear you ask. Well, sort of near the top of
the two-channel range... but it also has some, erm...
eight-channel architecture... and it’s Apogee’s first
tracking device as well. If that sounds a bit confusing,
then I’ll draw a parallel between Star Trek’s Borg or
Mary Shelley’s Frankenstein: lots of familiar parts that
the user (or mad scientist) can assemble in many
different ways.
Options, Options, Options
The basic model Trak2 is a two-channel A/D converter
capable of 24-bit/96k resolution with two mic preamps
thrown in for good measure (or to give the Digi001
some serious competition!). The unit has a small
backlight LCD display for navigation,
up/down/sideways cursor buttons, PPM-style metering
and an aluminium Alpha dial-style data entry wheel.
Input and output is handled by balanced XLR connec-
tors and the mic pres have balanced/unbalanced (auto-
sensing) jack inputs in addition to XLRs. Digital audio is
handled by a single XLR which can output either
AES/EBU or S/PDIF formats. There’s also a COM port
on the back for allowing OS upgrades and remote
control (via Midi software).
The microphone preamp is, electronically, a totally
separate unit and can be patched internally to the A/D
converters or used as a stand-alone device. This is a very
good move on Apogee’s part as you often want to patch
in an external compressor while tracking vocals or
instruments. The Trak2 also has memories, so you can
store various permutations for instant recall. The system
it employs is best described by the Summit/Neve slogan:
‘Digital Control Over Analogue’. While that sounds a
little over-dramatic, you get the picture. Everything is
housed in a silver and purple 1U rack adorned with huge
heat sinks along the sides, the on/off button is on the
front panel and the power supply is linear toroidal – not
switch mode.
Notice I previously used the term ‘basic model’. That’s
because the Trak2 has several optional boards available
which greatly enhance its potential (and price). However,
before I get into analysing the performance of the (un-
optioned) review model, it’s worth having a look at the
options available. (Because you can use this device in
several ways and configurations, I think this will aid in the
general understanding of what the
Trak2 actually is.)
For starters, while
the Trak2 sports a
two-channel A/D
converter, a D/A
converter board is
optional. The
available D/A
board comes in two flavours: a two-channel version (2DA
$1,270) and an eight-channel version (8DA $2,900). Why
has Apogee done this? Because although the Trak2 can
only sample two channels on the input, it can monitor up
to eight channels of incoming digital audio (via further
optional cards). This capability presents you with a
choice. You can spec your Trak2 to be a stereo in/out
A/D D/A converter or you can have a two input (A/D),
eight output (D/A) system. This sort of approach is very
useful if you have an eight-channel multitrack recorder.
You could monitor all the outputs of the multitrack
through the Trak2, and at the same time be able to
record using the stereo A/D converters as the ‘front end’.
Of course you could forget all these options and just use
the Trak2 as a single-ended A/D converter.
If you are indeed using a DAW or multitrack, then
many formats are presently supported. Apogee has a
system called Apogee Multimedia Bus (AMB) which
allows simultaneous transmission of up to eight channels
of 24-bit/96k audio (input and output). These cards fit in
slots round the back of the unit, and if you have the
eight-channel D/A card installed and one of these AMB
cards, you can monitor all eight incoming digital outputs
through the Trak2. AMB supports a wide variety of
formats such as Digidesign, ADAT, TDIF, SDIF (that’s the
Sony format), SSL HiWay and FiberDX – an optical
protocol capable of sending your eight channels of
audio up to five kilometres! I guess I should also mention
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