Microphone Preamplifier
Parameter Value Units
Gain (adjustable by software) –90 to +90 dB
Max input level, mic input +24 dBu
Max output level, analog out +28 dBu
Minimum load impedance 150 Ω
Relative THD+Noise –109 dB (at 1 kHz)
Dynamic range 118 dB (A weighted)
Bandwidth 10 Hz – 300 kHz ±1 dB
HPF rolloff at 40 or 90 Hz 18 dB/octave
A/D Converter
Parameter Value Units
Resolution 24 bits
Sample Rates 44.1–96 kHz ±10%
Relative THD+Noise, –0.1 dBFS –112 dB (A-weighted)
Dynamic range, –60 dB –119 dB (A-weighted)
Peak spurious component –126 dB (max)
Group delay in passband 34/Fs seconds
Passband ripple ±0.001 dB
Digital filter stopband 0.5542Fs kHz
Stopband attenuation 117 dB
Interchannel crosstalk ≤ –120 dB (at 1 kHz)
Frequency Response, 10 Hz–20 kHz
Gain ±0.025 dB
Phase < 0.01 degrees
Maximum input levels
Consumer mode +6 dBV
Professional mode +28 dBu
Input impedance at line inputs
Consumer 15 kΩ
Professional 9 kΩ
Sensitivity adjusted by software.
Common-mode rejection ratio
60 Hz >>100 dB
1 kHz >> 80 dB
Clock jitter, 32–106 kHz <<15 pSec
Crystal Oscillator accuracy ±50 ppm
D/A Converter
Parameter Value Units
Resolution 24 bits
Conversion system Delta-Sigma
Sample Rates 32–106 kHz
Relative THD+N, S/(N+D)
–0.5 dBFS input –104 dB (at 1 kHz)
Dynamic range, –60 dB –116 dB (A-weighted)
Passband ripple 0.0002 dB
Stopband attenuation 115 dB
Interchannel crosstalk ≤ –125 dB
Frequency Response, 10 Hz–20 kHz
Gain ±0.15 dB
Phase << 1.0 degrees
Output levels adjustable by software
from consumer level (–10 dBV) to professional level (+28 dBu)
Digital Signal Processing
Parameter Value Units
UV22HR Amplitude
16 bits –84 dB
20 bits –108 dB
Metering
Accuracy (CAL mode) ± 0.1 dB
Over Detection 1–4 consecutive 0 dBFS readings
(user-definable)
System
Parameter Value Units
AC line voltage 100, 120, 220, 240 v ac (set internally)
Fusing 5 x 20 mm, 1.6A (100–110v); 800 mA (220–240 v) slow-blow
Power (fully loaded) 50 Watts
Size (w, h, d) 19 in, 1.75 in (1U), 14.25 in
Weight 12.5 lb (5.8 kg)
Hear the Apogee Difference.
Photography by David Blattel
Created by Richard Elen
Printed in U.S.A.
Trak2v1/5M/0600
In addition, the
Trak2 delivers a new,
more powerful version
of Apogee’s unique Soft Saturate system, introduced on
the original AD-500, which simulates analog tape com-
pression. Both features can be switched in and out on a
per-channel basis.
Maximum Interface Versatility
The built-in digital output, software-switchable to deliv-
er AES/EBU or S/PDIF signals, is only the beginning of
the unit’s prodigious interfacing capabilities.
Key to the Trak2’s interface capability is the inclusion
of two Apogee Multimedia Bus (AMBus) slots. These
enable the Trak2 to connect to a wide variety of indus-
try standard interfaces including Digidesign’s Pro Tools,
ADAT, TDIF, SDIF-II, SSL HiWay, and others, with new
cards being added all the time. Many cards (such as
those designed for use with modular digital
multitracks) support Apogee Bit-Splitting,
which enables you to use standard 44.1/48,
16-bit recorders to store 20- or 24-bit audio,
and even 96 kHz signals.
The Trak2 features the latest ver-
sion of the Apogee Ultra-Low Jitter
Clock, which is used to lock the unit
to incoming digital (and optionally video) signals. A
sophisticated phase-locked loop locks firmly and accu-
rately to the sync source while at the same time signifi-
cantly reducing jitter components in the
signal, improving signal clarity and
stereo image width and stability.
Included in the Trak2 is the latest
incarnation of Apogee’s industry-
standard UV22 system for digital
word-length reduction, called
UV22HR (High Resolution). Used on
an estimated 80% of CDs mastered in the United States,
UV22 takes a high-resolution digital signal and reduces
the word-length to 16 or 20 bits for CD or DVD-V mas-
tering without significant loss of detail, and without
increasing the noise floor above the theoretical level for
the word length – unlike noise-shaping and similar tech-
niques. And unlike inferior DSP approaches, UV22HR’s
unique, highly-optimized technology does not require
different settings for different types of program: one
size really does fit all.
Add a D/A
The Trak2 includes a special slot for an optional 2-chan-
nel or 8-channel D/A card with specifications matching
those of the A/D section, turning the Trak2 into a com-
plete digital audio conversion system with two A/D
channels and up to 8 D/A.
The AMBus cards also provide a way of converting
between different digital signal formats. Any signal
brought into the Trak2, analog or digital, is available
from all interfaces, including the D/A. Source and
Destination Monitoring, plus a powerful eight-channel
digital routing matrix, can be used to set up multiple
paths through the unit – for example, bringing two chan-
nels of analog into Pro Tools and eight digital channels
from Pro Tools back to the D/A for monitoring, while
simultaneously feeding a DA-78.
Hear the Apogee Difference
You’ve never encountered anything like the Trak2 from
Apogee Digital. With the sweetest-sounding mic pre-
amp you’ve ever heard, superb 24-bit, 96kHz A/D and
optional D/A conversion, interfacing with almost any
digital system including a direct connection to Pro
Tools… the possibilities are endless.
Try the Trak2 at your authorized dealer today… and
hear
The Apogee Difference.
Trak2 Specifications
High resolution. Apogee quality.
APOGEE ELECTRONICS CORPORATION, 3145 Donald Douglas Loop South, Santa Monica, California 90405-3210, USA.
For full details and application notes on all Apogee Electronics products, visit our Web site at http://www.apogeedigital.com/
The Trak2’s user interface is an entirely new departure
for Apogee. A central feature of the front panel is the
large, clearly-readable backlit LCD. To its left are four
cursor-control keys used to navigate around the
display, and to the right of the display there is a
substantial delta-wheel that enables values to be select-
ed, or parameters entered with a simple push.
The
Active Status Display (see front-panel picture
overleaf) shows the current configuration of the main
signal path through the unit: individual aspects of the
chain can be selected and modified. The
System Setup
Screen
shown here allows rapid access to the primary
features of the unit. Other screens determine the gain
structure, HPF settings, Soft Saturate and Soft Limit con-
figuration, UV22HR, headroom, calibration, the word-
length of the signal path through the unit, and a host of
other functions. When you’ve configured the Trak2 for a
particular application, you can store the unit’s entire set-
tings in any one of 64 user presets for instant recall.
The Trak2 front panel interface is rounded out by two
high-resolution LED bar meters of the same design as
those on the acclaimed AD-8000 – with several different
modes including simultaneous peak and average, peak
hold and over indication. Overs can be logged on the
LCD display. In addition to the meters, LEDs indicate
polarity inversion, phantom power, insert and aux input
status, plus mic preamp clipping independently of the
main digital over indicators.
Powerful, Easy User Interface
Photography by David Blattel
Created by Richard Elen
Printed in USA. T2v1/5M/0700
The features and specifications above, and other information provided in this document, are subject to change without notice. E&OE. Apogee
Electronics Corporation reserves the right to make design changes without prior warning, and the appearance or mention of any feature, future
enhancement, capability or performance parameter given in this document is not a guarantee of its availability in or in conjunction with an actual unit.
Apogee, Trak2, UV22, UV22HR, Soft Limit, Soft Saturate, AMBus, Clocked by Apogee, Apogee Bit-Splitting and the “96k” device are trademarks or
registered trademarks of Apogee Electronics Corporation. Other trademarks are the property of their respective owners.
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