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PSX-100

2-channel 24-bit, 44.1–96 kHz A/D-D/A

LOOKING FOR A COMPACT, VERSATILE 96KHZ STEREO CONVERSION

SOLUTION

? You’re looking for the PSX-100 – now with single-

wire 88.2/96kHz AES/EBU. It’s a complete two-channel con-

version system in a compact single-unit box. Resembling a

miniature version of the AD-8000, including the new UV22HR

and SoftLimit, but with 88.2 and 96kHz sampling and with all

its interfaces built in, the PSX-100 contains separate A/D and

D/A sections, each with their own clocks, which can be cross-

connected in a number of different ways – or not at all – you

can even run them at different sample rates. Copy a digital

input to all the outputs including D/A; monitor the output of

the A/D using the D/A, while outputting

all digital formats; or use them

separately – it’s your choice.

The PSX-100 includes all the industry-

standard interfaces: multiple AES/EBU, S/PDIF (coax/optical),

TDIF (Tascam) and ADAT. There is an auxiliary AES output

that always delivers high-resolution audio even if the other

outputs are being reduced to 16 or 20 bits with UV22HR,

making it possible, for example, to master 24-bits to a 24-bit

DAT machine while making simultaneous 16-bit copies.

Apogee Bit Splitting is taken a stage further in the PSX-

100. In addition to the 4/24 (PaqRat-compatible) mode (two

16-bit tracks record a single 24-bit channel), ABS-96 allows

you to record (and replay) two channels of 24/96 audio on

eight tracks of a standard MDM. So if you were wondering

how to store your high-density recordings, the answer is

already in your studio: it’s your existing MDM.

There’s nowhere you’ll ﬁnd better quality, convenience

or capability than in the Apogee PSX-100.

DESIGNED SPECIFICALLY FOR THE PROJECT STUDIO, Apogee’s

Rosetta AD 2-channel A/D converter offers superlative

performance at an affordable price. Two models are available,

one offering 44.1/48 kHz sampling, and the other with the full

range from 44.1 to 96kHz. And you can upgrade from one to

the other as your needs grow. The Rosetta provides the new

UV22HR, and the 44.1–96 kHz model includes single-wire

AES and S/PDIF at 88.2/96 kHz, plus ABS-96 to record

24/88.2–96kHz signals on regular MDMs.

The most widely-used interfaces are built into the Rosetta:

AES, S/PDIF, TDIF (Tascam) and optical (S/PDIF or ADAT for-

mat). Large bar-graph meters give you accurate level indica-

tion, while oversize “over” LEDs (user deﬁned threshold) let

you keep an eye on your levels, which can be kept under con-

trol with Apogee’s proprietary SoftLimit feature. UV22HR,

meanwhile, allows you to output 16 or 20 bits without losing

detail. The Rosetta AD is an ideal front-end to your DAT

machine, MDM, DAW, computer system or video editor.

THE AD-8000 24-BIT CONVERSION SYSTEM takes digital conver-

sion to a whole new level. It’s a true 24-bit converter, with all

the features you need for truly outstanding, great-sounding,

world-class recordings, whether you own the biggest studio

in town, a leading post-production facility, or have a project

setup in your back room.

• Eight channels of Apogee’s exclusive true 24-bit A/D

• Apogee Soft Limit on each channel.

• Apogee UV22 Encoding .

• Advanced multi-mode 8-channel LED bar metering

• Built-in level calibration to within ±0.05 dB.

• User-selectable over detection.

• Headphone monitor for any channel pair.

• Full Source/Destination monitoring.

•“Smart” sync capabilities: sync to crystal,

word clock, video (optional) or any digital input.

• Additional interfacing via up to four different digital

AMBus (Apogee Multimedia Bus) I/O cards with format

conversion and re-clocking, including direct Pro Tools I/O.

• Proprietary low jitter master clock.

• Non-volatile storage of front panel settings.

• Optional 24-bit 2- or 8-channel D/A converter cards

• Apogee Bit-Splitting allows 20/24-bit signals to be stored

on 16-bit MDMs– ideal for surround!

Rosetta AD

2-channel 24-bit, 44.1/48 kHz (44.1–96 kHz optional) A/D

AD-8000 24-bit, 8-channel converter

with optional interface and D/A cards

Trak2 2-channel Mic Pre with 24/96 A/D

8-channel digital routing and architecture, optional interface and D/A cards

WITH THE TRAK2, you can have everything you need for a

high-quality digital session – in one compact single-unit rack

space. A superb mic pre; incredible A/D; any interface you

need; 8-channel architecture; and optional D/A cards.

• Superb two-channel microphone preampliﬁer with ±90dB

gain, phantom power, front-panel universal input socket,

high-impedance direct instrument input, analog out, insert

point… and an incredible sound.

• Two channels of Apogee’s true 24-bit, 96 kHz A/D

conversion with 117 dB dynamic range.

• AES/EBU and S/PDIF out plus two AMBus card slots to

interface with Pro Tools, ADAT, TDIF, SDIF-II, etc.

• ABS-96 for 24/88.2-96 bit-splitting to 16/44.1-48 MDMs!

• Apogee Soft Limit® for higher level without overs; Soft

Saturate™ for the sound of analog tape compression!

• Apogee low-jitter master clock.

• Apogee’s enhanced UV22HR™ translates 24-bit signals to

20 or 16 bits while maintaining high-resolution detail.

• Video sync capability with optional card.

• Clear LCD display shows conﬁguration and signal ﬂow.

• Cursor controls and delta-wheel for fast settings changes.

• Settings can be saved to 64 presets and recalled.

• Programmable Quick Keys for instant access to

frequently-used functions.

• Easy-to-read 2-channel LED bar metering

• User-deﬁnable over detection (1-4 digital full scale)

• Full 8-channel digital architecture and routing allows

multiple 8-channel paths and format conversion.

• Optional 2- and 8-channel D/A cards plug into their own

slot to create a complete conversion system.

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Pagina 1 - Rosetta AD

PSX-1002-channel 24-bit, 44.1–96 kHz A/D-D/ALOOKING FOR A COMPACT, VERSATILE 96KHZ STEREO CONVERSIONSOLUTION? You’re looking for the PSX-100 – now wit

Pagina 2 - POGEE ELECTRONICS CORPORATION

Yamaha CardsAP8AD & AP8DA 8-channel convertersApogee Media ProductsTape and CD-R media you can trust your masters toAPOGEE ELECTRONICS CORPORATION

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